Stian Eide Kluge

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"The 9th Norwegian Sculpture Biennale" at The Vigeland Museum, Oslo, 2017, curated by Steffen Håndlykken








Untruth #01 (2017)
Ash wood, Plexiglass, laminated glass, styrofoam, plastic film, red oak veneer, water colour, bitumen, plastic tape, spray foam, silicone, steel brackets








Untruth #02 (2017)
Ash wood, Plexiglass, laminated glass, styrofoam, plastic film, red oak veneer, water colour, plastic tape, spray foam, silicone, steel brackets








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"Meaning Can Only Grow out of Intimacy" at Musée Arlaud, Lausanne, Switzerland, 2016, curated by Elise Lammer








Sub-Zeroed Large Cube (Effigy) #03 / Sub-Zeroed Large Cube (Effigy) #02 / Sub-Zeroed Large Cube (Effigy) #01 (2016)
Laminated glass, water, milk, silicone, oil drum closure, flock, modified freezer








Sub-Zeroed Large Cube (Effigy) #03 (2016)
Laminated glass, water, milk, silicone, oil drum closure, flock, modified freezer








Sub-Zeroed Large Cube (Effigy) #02 (2016)
Laminated glass, water, milk, silicone, oil drum closure, flock, modified freezer








Sub-Zeroed Large Cube (Effigy) #01 (2016)
Laminated glass, water, milk, silicone, oil drum closure, flock, modified freezer








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"Combination" at L'Ascensore, Palermo, 2016








"Combination" at L'Ascensore, Palermo, 2016








"Combination" at L'Ascensore, Palermo, 2016








Fan (56 Dark Oak) #03 / Fan (56 Dark Oak) #02 (2016)
Crayon, pencil, stain, floor varnish and water colour on paper; stain, oil and wax on oak, glass
"Combination" at L'Ascensore, Palermo, 2016








Fan (56 Dark Oak) #05 / Fan (56 Dark Oak) #04 (2016)
Crayon, pencil, stain, floor varnish and water colour on paper; stain, oil and wax on oak, glass
"Combination" at L'Ascensore, Palermo, 2016








Fan (56 Dark Oak) #06 / Fan (56 Dark Oak) #01 (2016)
Crayon, pencil, stain, floor varnish and water colour on paper; stain, oil and wax on oak, glass
"Combination" at L'Ascensore, Palermo, 2016








Dark Tar Mirror #01 / Dark Tar Mirror #02 / Dark Tar Mirror #05 (2016)
Modified mirror, tar, permanent marker, window film, anti reflection glass, silicone
"Combination" at L'Ascensore, Palermo, 2016








Dark Tar Mirror #03 / Dark Tar Mirror #04 (2016)
Modified mirror, tar, window film, anti reflection glass, silicone
"Combination" at L'Ascensore, Palermo, 2016








Dark Tar Mirror #06 / Dark Tar Mirror #07 (2016)
Modified mirror, tar, permanent marker, window film, anti reflection glass, silicone
"Combination" at L'Ascensore, Palermo, 2016








Dark Tar Mirror #08 (2016)
Modified mirror, tar, permanent marker, window film, anti reflection glass, silicone








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"The Sexagesimal Angry Seas" at Frankfurt am Main, Berlin, 2016























Large Raised Zero #06 / Large Raised Zero #02 (2016)
Glass, laminated glass, water, silicone, oil drum closure, oil paint, ash wood, ash veneered MDF, steel pipe, polyurethane, soured milk, gasoline, motor oil
"The Sexagesimal Angry Seas" at Frankfurt am Main, Berlin, 2016








Large Raised Zero #03 / Large Raised Zero #05 / Large Raised Zero #01 & #04 (2016)
Glass, laminated glass, water, silicone, oil drum closure, spray-paint, oil paint, ash wood, ash veneered MDF, steel pipe, polyurethane, soured milk, gasoline, motor oil
"The Sexagesimal Angry Seas" at Frankfurt am Main, Berlin, 2016






























Fan (Reflective) #01 / Fan (Reflective) #02 (2016)
Watercolour, pencil and spray-paint on paper, passepartout, brass hooks, glass
"The Sexagesimal Angry Seas" at Frankfurt am Main, Berlin, 2016








Fan (Reflective) #03 / Fan (Reflective) #04 (2016)
Watercolour, pencil and spray-paint on paper, passepartout, brass hooks, glass
"The Sexagesimal Angry Seas" at Frankfurt am Main, Berlin, 2016







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Composition of Citrus (2015)
Plastic fruit, safety glass, laminated glass, silicone, spray paint, birch wood



















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Commissioned text for the magazine Floppy Poppy Widy MATTER
September 2015, Editions Clinamen, Genève







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Anonymous Grave (2015)
Battery powered maneki-neko ceramic cats, bell, dead rats, wild flower seeds, corn seeds, spray paint, red marker on plywood, brass bells, string, bird feathers, paper clips.
Buried and undisclosed plywood tomb containing mechanical cat, rats and seeds. Tomb shaped like an upside down mastaba to amplify the sound of the bell struck by the cat's paw. S t i a n repeatedly scrawled with hieroglyphs on the sides of the tomb. Faint tinkling audible through one foot of dirt.
"Stoneroses III" at Grünewald Forest, Berlin, 2015, curated by Mirak Jamal and Santiago Taccetti.







































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"Pattern Drill" at Hacienda, Zurich, 2015, curated by Jenny Kinge.








"Pattern Drill" at Hacienda, Zurich, 2015, curated by Jenny Kinge.








18th Century Headwear Trestle #02 (2015)
Folding sawhorse, steel pipes, modified meranti veneered door panel








18th Century Headwear Trestle #07 (2015)
Folding sawhorse, steel pipes, modified meranti veneered door panel








18th Century Headwear Trestle #08 [Balls] (2015)
Folding sawhorse, steel pipes, cord, eye bolts, bowling balls








18th Century Headwear Trestle #01 / 18th Century Headwear Trestle #05 (2015)
Folding sawhorse, steel pipes, modified meranti veneered door panel








18th Century Headwear Trestle #03 (2015)
Moodified meranti veneered door panel, polystyrene veneer lining paper, table








18th Century Headwear Trestle #06 / 18th Century Headwear Trestle #04 / 18th Century Headwear Trestle #10 (2015)
Folding sawhorse, steel pipes, modified meranti veneered door panel







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Little Shadow Framework Slab #01 - #06, w/Oxpeckers (2014)
Umbrella frame in concrete block, modified adjustable work table, inkjet on shrinkwrap, marble tiles








Little Shadow Framework Slab #06   /   Little Shadow Framework Slab #5, w/Oxpecker








Little Shadow Framework Slab #4, w/Oxpecker   /   Little Shadow Framework Slab #1








Little Shadow Framework Slab #3, w/Oxpecker   /   Little Shadow Framework Slab #2







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